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It has plain lower walls with three doorways, each of which supports a well-preserved lintel (Yaxchilan Lintels 1 to 3). This series of lintels are among the finest relief sculpture surviving in the Maya region. The three doorways to this structure once supported sculpted Lintels 12, 13 and 14, although only two now remain. It contained eight lintels dating to the early 6th century.

The structure is located in the Central Acropolis close to one of the ballcourts. Structure 8 is located in the Main Plaza in front of Structure 7 and divides the plaza into northwestern and southeastern sections. The structure has a surviving perforated roof comb and is believed to date to the Early Classic. The facade of the building facing the plaza has a surviving frieze with a sculpture of a head. The site is aligned with relation to the Usumacinta River, at times causing unconventional orientation of the major structures, such as the two ballcourts. The site contains impressive ruins, with palaces and temples bordering a large plaza upon a terrace above the Usumacinta River.

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Once you arrive at the banks of the river you will board a small motorboat that will take you to the archaeological site. But for all of their piety, inscriptions on the temples of Yaxchilán are not shy about hyping up the achievements of their kings. The city itself was quite large, but the majority of its remains still lay unrestored bellow the thick jungle. The ruins of Yaxchilán are impressive and feature several large plazas built atop artificial platforms. The city managed to capture the lords of several cities including Bonampak, Piedras Negras, and even the powerful Tikal.

Late Classic

The architectural remains extend across the higher terraces and the hills to the south of the river, overlooking both the river itself and the lowlands beyond.
The structure contains a series of hieroglyphic lintels describing the birth and accession of king Bird Jaguar IV.
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However, it was too heavy to fly and was returned to Yaxchilan in 1965 and now lies near the bank of the river.

It depicts the victorious king Itzamnaaj B’alam II standing over a kneeling captive, who is identified as Aj Popol Chaj, the ruling lord of Lacanha. There are various dates inscribed on the stela with the earliest being 741. The figures and the accompanying hieroglyphic panel are very well preserved. However, it was too heavy to fly and was returned to Yaxchilan in 1965 and now lies near the bank of the river. The upper part of this monument depicts king Itzamnaaj B’alam II. Stela https://pin-up-download.in/ 3 stands on a platform in the middle of a plaza by Structure 20.

The lintel depicts Bird Jaguar IV and his wife Lady B’alam Mut participating in a bloodletting ritual. It is sculpted from limestone and was originally set above the northwest doorway of the central room. Lintel 17 was another lintel from a doorway in Structure 21 that is now in the British Museum. It was sculpted from limestone and was originally set above the central doorway of the central room. Lintel 15 depicts Lady Wak Tuun, one of the wives of king Bird Jaguar IV, during a bloodletting ritual that results in the appearance of the Vision Serpent.

It is one of three principal structures atop the highest vantage point in the city and a series of stelae was set in front of it that described the military campaigns of Itzamnaaj B’alam II. The three lintels over the doorways in this structure were Lintels 15 through to 17, although they were removed in the 19th century and are now in the British Museum in London. The lintels were commissioned by K’inich Tatb’u Skull II, their original location is unknown, being reset into Structure 12 in the 8th century by king Bird Jaguar IV.

As the power and prestige of Yaxchilán grew during the classical era, the rulers of the city became emboldened and deployed troops to wage war. A great deal is known about the history of Yaxchilán thanks to the splendid preservation of a great many stelae and inscriptions on monuments. Epigraphists believe that in antiquity the city and its surrounding region was known as Pa’ Chan, meaning cleft or broken sky. In Mayan, Yaxchilán means green stones, a name given to the city by renowned archaeologist and explorer Teoberto Maler in the late 19th century.

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Yaxchilán was an important player in classical Mesoamerican geopolitics and commanded the loyalty of several other city-states in the region. Yaxchilán is an ancient Maya city on the western banks of the Usumacinta River, which serves as the border between the Mexican state of Chiapas and Petén in Guatemala. Channels will lose monetization when they violate any of the YouTube channel monetization policies. If you’ve met the threshold and applied for YPP, we’ll still review your channel for YPP suitability. Our team will review your channel as a whole to check whether your channel meets our YouTube channel monetization policies.

It was originally set above the southeast doorway of the central room. Lintel 14 is set above a doorway in Structure 20 and is particularly well preserved. It had fallen when the roof of the building collapsed but has since been reset. Lintel 12 was originally set into Structure 20 in the Central Acropolis. It depicts K’inich Yat Ahk II of Piedras Negras as a captive of Yaxchilan king K’inich Tatbu Skull IV. It depicts 8th-century king Bird Jaguar IV accompanied by his wife Lady Great Skull Zero.

Lintel 25 was originally set above the central doorway of Structure 23. It shows a bloodletting ritual being carried out by king Itzamnaaj B’alam II and his wife Lady K’ab’al Xook, the king stands holding a burning torch over his wife, who pulls a spiked rope through her tongue. The king watches while his wife pulls a rope through her tongue draw blood.

It has plain lower walls with three doorways, each of which supports a well-preserved lintel (Yaxchilan Lintels 1 to 3).
The monument dates to 514 and depicts the king Knot-eye Jaguar I. This stela is the earliest known from Yaxchilan.
It was sculpted from limestone and was originally set above the central doorway of the central room.
Little is known of the history of Yaxchilan from 537 to 629, although four kings are known to have reigned in this period.

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Yaxchilan has long been difficult to reach other than by river. Explorers Alfred Maudslay and Désiré Charnay arrived here within days of each other in 1882, and they published more detailed accounts of the ruins with drawings and photographs. Professor Edwin Rockstoh of the National College of Guatemala visited in 1881 and published another short account.

Knot-eye Jaguar I was a warlike king who was recorded as capturing nobles from Bonampak, Piedras Negras, and the great city of Tikal. Before the rule of king Itzamnaaj Balam II, who reigned from 681 to 742, the city was relatively small. The city waged war with other major city-states such as Palenque, Tikal, and its chief rival, Piedras Negras, 40 kilometers downriver on what is now the Guatemalan side of the Usumacinta River. If a channel is inactive and has not uploaded or posted posts for 6 months or more, YouTube reserves the right to remove its monetization. Note that a channel needs to complete all the YPP signup steps (which currently include signing the contract and associating an AdSense for YouTube account) before they will be reviewed.

Your channel also must not have any active Community Guidelines strikes in order to apply. If you have active Community Guidelines strikes on your channel, you can apply after your strikes expire. As the YouTube Partner Program continues to grow, it’s important to maintain a healthy, active ecosystem of channels.

A sajal (subordinate lord) of Itzamnaaj B’alam II was captured by the enemy city, an event that is completely absent from inscriptions at Yaxchilán itself although, importantly, there is no false claim of victory. In 629, Bird Jaguar III was enthroned as king of Yaxchilan. Little is known of the history of Yaxchilan from 537 to 629, although four kings are known to have reigned in this period. Bird Jaguar II, the next king of Yaxchilan, captured a vassal of the king of Piedras Negras around 478.

Stelae 12 and 13 stand before structure 40 and Stela 11 once stood between them. It has been restored and also has three doorways opening onto a single room and the remains of a perforated roof comb. It has three stepped doorways that open onto a single, irregularly shaped room. Leading up to the front of Structure 33 from the plaza is a stairway, the top step of which is sculpted, this step is known as Hieroglyphic Stairway 2. The roof of the structure is largely intact, including a sloped roof supporting a frieze and a well-preserved roof comb. In the centre of the back wall of the structure, opposite the central doorway, is a niche containing the headless sculpture of a human figure, probably Bird Jaguar IV himself.

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Structure 12 is a small structure in the Central Acropolis, close to the river. The architectural remains extend across the higher terraces and the hills to the south of the river, overlooking both the river itself and the lowlands beyond. Maudslay ordered several lintels to be removed, and the British Museum acquired lintels 24 in 1932. This event, together with the other victories of Itzamnaaj Balam II’s reign, is described both in the hieroglyphic texts of Structure 44 and also on a series of stelae near Structure 41. During his reign, the kingdom of Yaxchilán extended to include the nearby sites of La Pasadita and El Chicozapote to the northwest of the city. In 514, Knot-eye Jaguar I was taken captive by Ruler C of Piedras Negras, as depicted on Lintel 12 from that city, where he is shown kneeling before the enemy king with his wrists bound.

Lintel 38, Lintel 39 and Lintel 40 have been reset in their original positions in Structure 16 in the Central Acropolis. It was sculpted from limestone in the 6th century under the rule of K’inich Tatb’u Skull II and records a series of victories including that over the great city of Calakmul. Lintel 29 is set into Structure 10 in the Central Acropolis. It was carved from limestone during the reign of king Itzamnaaj B’alam II and shows Lady Xook invoking the Vision Serpent to commemorate the accession of her husband to the throne.